Named for the shifting shadows cast by its concrete blades, the project reflects the quiet passage of time, echoing the movement of a sundial.

The material palette is grounded in the Australian landscape, expressed through a restrained use of raw materials. Charred timber cladding recalls the bush after fire, set against precast concrete to create a composed and enduring exterior.

A subtle influence of Japanese minimalism is evident in the use of shou sugi ban timber, paired with concrete in a way that feels both deliberate and locally grounded. Together, these elements form a calm, textural backdrop to the surrounding landscape.

For the clients, passionate art collectors, the home was designed to accommodate and elevate their collection. The entry is conceived as a gallery—defined by double-height concrete walls, integrated hanging systems, and track lighting—allowing the space to adapt over time.

At its centre, a courtyard draws light into the home and anchors the main living spaces. In response to a large neighbouring dwelling to the north, concrete blades and raised planter boxes are used to mediate privacy while maintaining access to natural light. This layered edge softens the boundary and establishes a measured interplay between light and shade, structure and landscape.